Lastly, one thing that made the experience better was the fact that the Lightroom profiles I so regularly use on my computer were also available to use on Lightroom mobile. Further, though Lightroom Mobile is a good bit different from Lightroom Classic, it is much more alike than it is different, so it was not at all difficult to switch between the two. Being able to engage with the photo more via the touchscreen was great and helped to make me feel more connected to the process. ![]() Lightroom reacts very fast to all edits, perhaps even faster than my MacBook Pro. Long story short, I had nothing to worry about. I also worried that I would dislike drawing on the photo itself when using the selective brush. ![]() Before I picked up the iPad, I wasn’t sure if I would enjoy the editing process as much as I do on the computer because I was worried that the raw files from my Sony a7R II would be too much for the iPad and I would experience some lag in the editing process or that Lightroom mobile would be too different from what I know. Should these techniques not be a make-it or break-it for you, I would suspect that you would find a lot of enjoyment in editing with the iPad. I suspect that this shortcoming disproportionally affects landscape photographers, where these techniques are quite common. The same thing goes if you regularly merge photographs. If you are the kind of photographer who very regularly needs or wants to use luminosity masks, then using only an iPad just will not work for you. Will Lightroom on the iPad Be All You Need?
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